The journal Portraits

The woman who read her way into sixteen languages

She trained as a chemist, taught herself Russian from a novel hidden inside a bomb shelter, and became one of the first simultaneous interpreters in the world. The astonishing part isn't the count of languages. It's how ordinary her method was — and that she never once believed she was finished.

In 1941, in a secondhand bookshop in Budapest, a young chemist bought a fat, water-stained Russian–Hungarian dictionary that nobody else wanted. She had no teacher, no course, no one to practise with, and — as the war closed in — a very good reason not to be caught reading Russian at all. What she did with that dictionary would, over the next sixty years, turn her into one of the most accomplished language learners who has ever lived. Her name was Kató Lomb, and she is worth knowing about — not because she was a genius, but precisely because she insisted she wasn't.

Lomb (1909–2003) did not grow up bilingual or hothoused. She studied physics and chemistry, and earned a doctorate in chemistry — a scientist by training, a linguist by nothing but appetite. She came to languages the long way round, as an adult, for a living, and she never lost the scientist's habit of treating her own learning as an experiment to be tuned.

A novel, a dictionary, and a bomb shelter

The Russian she taught herself during the war became the template for everything after. She had no grammar book worth the name, so she did something that sounds reckless and turns out to be the whole secret: she started reading. She got hold of a copy of Gogol's Dead Souls and worked through it with the old dictionary at her elbow, deducing the grammar from the sentences themselves rather than the other way around. During the siege of Budapest she read it in the cellar, by whatever light there was, at a time when a Hungarian studying Russian could draw dangerous attention.

Reading a novel you can barely parse is slow, humbling work, and here Lomb made the discovery that reorganised her method. When a word or a knotted construction defeated her, she did not stop to look up every last one. She skipped it, kept moving, and let the meaning accumulate. The rare and difficult things, she found, either resolved themselves later from context or simply didn't matter much. As she put it, what we remember best is what we have puzzled out for ourselves.

Boldly skip over what you can't yet understand. The gist arrives first; the details fill in behind it, and they stick better because you earned them.

By the end of the war she could work in Russian. It became the first of many. Over her career Lomb worked as a translator and one of the world's first simultaneous interpreters, plying roughly sixteen languages professionally. She was careful and funny about the numbers, though — and that honesty is part of why she's trustworthy.

What "knowing sixteen languages" actually meant

Lomb refused the myth even as she embodied it. She drew sharp, sensible lines between the languages she could interpret in without preparation, the ones she could translate literature in, and the ones in which she could merely follow a newspaper. She reckoned she could interpret fluently in around ten, translate belles-lettres in a handful, and read journalism in a good many more — a layered, honest inventory rather than a boast of "sixteen fluent."

That distinction is a gift to the rest of us. "Do you speak a language?" is the wrong question, or at least a lumpy one. Reading, listening, translating and improvising in real time are different skills built on the same vocabulary, and you can be strong in one while still climbing in another. Lomb never pretended the levels were the same. She just refused to let the gaps stop her from using what she had.

Worth remembering: Lomb didn't wait to "finish" a language before using it. She used it badly, on purpose, from early on — and let the using do the teaching. Her most quoted line is a small manifesto against perfectionism: "Language is the only thing worth knowing even poorly."

The equation she lived by

Being a scientist, Lomb reduced her philosophy to something like a formula. Success in a language, she wrote, is roughly:

invested time × motivation, divided by inhibition.

It's worth sitting with, because every term is doing real work. Time is on top, but she was quick to add that with genuine motivation almost anyone can find ten minutes a day, even inside the busiest job. Motivation multiplies that time — a person learning for a lover, a book or a country outruns a person learning because they feel they ought to. And inhibition — the fear of sounding foolish, of the clumsy sentence, of being laughed at — sits in the denominator, dragging the whole result down. Lower it and everything above it counts for more. Her advice, in effect: put in the daily minutes, find a reason you actually care about, and give yourself explicit permission to be bad out loud.

Her method, minus the mystique

Late in life Lomb distilled her approach into a set of plain suggestions — no secret, no trick, nothing you need a special mind to follow. Stripped down, they come to this:

  • Study a little every single day. If time is desperately short, ten minutes still counts; the unbroken habit matters more than the length of any one session.
  • Read from the very beginning, in real texts, and let context teach you — exactly as she did with Gogol.
  • Learn words inside sentences, never as a bare list, so each one arrives already wearing how it's used.
  • Translate the world around you as a workout — the billboard, the overheard remark, the shop sign — turning idle moments into practice.
  • Don't let a mistake mortify you. A wrong but understandable sentence has already done its job; only fear is fatal.

If that list feels familiar, it should: it's the same evidence-based advice this journal keeps arriving at from the research side. Meet words in sentences rather than on flashcards. Try to work a meaning out before you look it up. Lean on the free head start of cognates. Accept that a word won't stay after one meeting and plan to come back. Lomb reached these conclusions decades earlier, alone, with a dictionary and a stubborn refusal to be embarrassed.

She was still starting new languages in her nineties

Here is the detail that ought to end the "I'm too old" excuse for good. Lomb kept taking up languages into deep old age; by her account she was still teaching herself Hebrew after ninety — reportedly, and characteristically, with mixed success and complete cheerfulness about it. She died in 2003 at ninety-four, having spent more than sixty years demonstrating in person what the research on adult learners now says plainly: the window doesn't slam shut. She wrote up the whole philosophy in a book first published in Budapest in 1970 as Így tanulok nyelveket — later translated into English as Polyglot: How I Learn Languages, and, fittingly, given away free.

What makes Lomb such good company for a learner isn't the tally of languages. It's that she took every mystical explanation people offered for her success — talent, a special ear, a young start — and quietly declined all of them. What she had instead was a method any of us can copy: read early, guess bravely, show up daily, and never wait until you're "ready" to start using the words.


Where vocabla fits

Lomb's method was ahead of its time and is now, happily, a lot less lonely than a dictionary in a cellar. That's roughly the app we set out to build. vocabla teaches the words you'll actually use — in French, German, Italian, Spanish and Russian — a handful at a time, inside real sentences rather than as a bare list, so each word shows up already knowing how it behaves.

And it takes care of the two things Lomb had to do by hand. It turns "a little every day" from a resolution into a routine, and it quietly brings each word back just before you'd forget it, so the time you invest actually compounds. You don't need her memory or her nerve. You need her habit — ten honest minutes, words in context, and the willingness to be understood before you're perfect. Start today, learn ten words, and read your way in.

Portraits